![]() ![]() They do not simplify characters and their motives. ![]() Highbrow books are complex, not for the sake of complexity itself, but because life is complex. It’s no secret that highbrow books can be difficult, but it is a mistake to believe that this means they’re not pleasurable, or that they’re inaccessible. Well, ladies and gentlemen, so is Fifty Shades of Grey. ‘Highbrow literature is for wankers,’ I hear them say. ‘Intellectual snobbery’ is a common accusation, as though the reason people read and write the stuff is solely to intimidate their dinner guests. I also understand why many people have a problem with highbrow literature. In small doses it can be entertaining, charming or even slightly titillating, but you don’t want to spend all your time doing it. It has its place, much like folk dancing, or Taylor Swift. I’d like to establish something before I begin my defence of one of the greatest loves of my life, and that is, I don’t have a problem with reading lowbrow literature. Here, Hannah Kent defends highbrow literature. This week, we’re publishing their speeches in full for your edification. It’s a big book for a big town.Last week at the Highbrow vs Lowbrow Cultural Showdown, six of our favourite writers faced off to defend their preferred cultural forms. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects-and frequently overflows its own pages onto spectacular foldouts. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. On “The Approval Matrix,” the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. Again and again, it introduced new words into the conversation-from “foodie” to “normcore”-and spotted fresh talent before just about anyone.Īlong the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture-from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls-in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. ![]() Magazine, branded a group of up-and-coming teen stars “the Brat Pack,” and effectively ended the career of Roger Ailes. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. It was the place to be-if you could afford it. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Over the next generation, the city was utterly transformed. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. ![]()
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